The Ultimate Index v3.0 – The Innerspace Labs Media Exploration Master Workbook is LIVE!

It’s been a magnificently productive day at Innerspace Labs and we’ve reached what is to date our most prestigious milestone. I published a feature last March about the evolution of my life-long list-making of sound works, cinema, and literature that I’ve been meaning to explore. These lists also served to touch upon some of the special collections in my archive.

In the previous article I described how this process began with leather pocket journals, and as the scale of my library grew I began to publish annual print editions itemizing large collections.

Innerspace Labs Archive Index Books 2013

Innerspace Labs 50 Top Artists Book

These efforts were radically transformed several years ago when I migrated to Google Drive. But as the years passed and spreadsheets and documents multiplied, it rapidly became apparent that I needed to consolidate all of these various lists into a single, deep searchable index otherwise countless lists would be forgotten and disappear into the digital void of my Google Drive.

Thus began the Innerspace Labs Master Workbook project this past spring. Though this venture posed several new dilemmas. As the workbook grew to nearly 200 tabs, I received this error stating that Google Workbooks are limited to 5 million or fewer cells.

Google Error 5 Million Cells Spreadsheet Workbook.png

And it quickly became evident that navigation of all those tabs was painfully arduous in the mobile environment, as was its loading time. Thankfully, after careful research into various potential solutions, I’ve implemented a system of scripts and formula expressions which make navigating this large workbook a snap and its interactive response time nearly instantaneous.

By combining over 200 named ranges, and incorporating a primary dynamic drop-down and a dependent secondary drop-down field, along with an “=INDIRECT(CONCATENATE” expression calling named ranges based on user input, I’m now able to hide and lock all but one master sheet and made the entire workbook navigable from that single homepage.

The home sheet offers the user a primary drop-down of LITERATURE, SOUND, or VIDEO, which in turn controls a secondary dependent drop-down to populate and auto-alphabetize a list of all related content for that category.

I’ve also employed a script which is triggered by Google Clock to rescan the entire workbook for newly-added lists and to automatically incorporate them into the search fields alphabetically and by category as the workbook continues to grow.

I understand that it may not have significant value to anyone other than myself, but it’s intended to serve as a reference document along with the over 200-pages of archive summaries I’ve drafted in a companion Google Doc. With this easy-to-reference Workbook, I can pull up a list in seconds and start exploring. My hope is that the project helps introduce me to some spectacular content and that it helps me rediscover forgotten areas of my library.

The next phase of the project is to apply uniform formatting to all lists, as these were drafted independently over the course of nearly a decade, so I apologize for the crudity of its present format. And of course, there may be errors or omissions among the lists. But you know that I’ll work tirelessly to make this project as accurate and accessible as I can.

Here is a link to a copy of the latest version. It showcases and attempts to organize ~26,000 of the most noteworthy elements of my personal library and related subjects of interest. All cells are locked for editing except the two dynamic drop downs, which is sufficient for general users to explore and interact with the document. It’s far from perfect, but it’s a labor of love that I will continue to work on and which I hope will enrich my life as it continues to expose me to some of the greatest works of the ages.

SPECIAL FEATURE: Pieces—A Thousand Albums At The End Of America

Bill Boulden - Pieces - A Thousand Albums At The End Of America (Vinyl Rip - Each of 1000 Copies is Unique)

I’m honored to share an extraordinarily unique recording for this installment at Innerspace Labs. This is Bill Boulden’s (aka Spruke’s) innovative project, Pieces—A Thousand Albums At The End Of America.

From his Kickstarter page:

Spruke’s previous Kickstarted ambient music album Music To Die Alone In Space To featured the same album being rerecorded 310 times with unique variations for every backer. On Pieces, he will expand on this concept by adding an innovative new system of distributed storytelling.

This follow-up project tells the tale of a post-apocalyptic near future – a story spread over 96 LPs. Boulden partnered with Meep Records, a single-run lathe-cut vinyl manufacturer, to make it possible for the first time to own literally the only copy of an album in existence.

Boulden describes the album-within-an-album concept he employed for this record:

When America falls, the musicians of the time period don’t sit around and let it happen. These albums contain fragments of the music of this alternate future. They appear in fits and starts between other tracks; ten seconds as a lead-in to a piano piece, or a thirty-second interlude between two tracks, or maybe fifteen seconds of radio static between ambient passages where you can hear a radio station almost tuning into this song but not quite finding it.

I’ve hired hip-hop artists, barbershop quartets, folk singers, grrl garage punk, country singers, and more from this hypothetical future that may never come to pass, to come back in time and put their songs in tiny pieces on this album.

[The album presents a dystopia where] America is broken and abandoned. Relics from humankind’s brief stay are slowly being reclaimed by nature, and one damning question lingers: What happened here?

Boulden explains “Distributed Storytelling” thusly:

Cassettes. Handheld recorders. Radio broadcasts. Voicemails. When Americans saw their country dissolve around them, they left all of these and more lying everywhere, and you’ll hear fragments of them as you move through a unique copy of the album… but never the whole story.

He leaves it up to the backers of the project to collaborate and piece together the full narrative. The LPs are not numbered, so there is no official chronology or oversight of the 96 segments. They were engineered through Boulden’s generative compositional process, and once the rules were set in motion the story unfolded on its own. The unique one-off discs were priced at $80-110 apiece and all copies sold out to the original backers of the project.

The social participatory factor here is exciting. Some of the backers shared their uniques on twitter as #BitsOfPieces. You can search that hashtag to find people swapping uniques and new material comes up on every copy.

The canonical edition was a randomly selected copy from the series, (Boulden believes it to be #36 or so), that was the copy chosen to print en masse and put on Spotify, iTunes, etc. Approximately 200 LPs were pressed of this edition.

The opening minutes of the canonical (wide-release) edition of the record set the stage with disembodied beeps and somber off-key sour synths. We are quickly introduced to curious smatterings of disconnected conversations about the dismal chaos that has come of America. These fractured dialogues are fast-forwarded and rewound from dusty old cassettes and fade in and out from distant radio signals on an imagined archaic analog tuner. We are wandering through the smoldering aftermath seeking signs of survival in a bleak 1980s vision of a dark near-future.

Musique concrète with a beat, this album offers captivatingly voyeuristic post-apocalyptic field recordings and static-laden AM / Ham / shortwave radio broadcasts with a bizarre displaced out-of-time personae.

Pieces… is richly hauntological and brimming with digitally-processed but authentic sounding artifacts of characteristically analog phenomena, including radio broadcasts, snippets of sorrowful minor-key piano melodies, retro television commercial segments, station-tuning and detuning, vinyl crackling, and tape wow and flutter. It features an impressively wide dimensional soundstage ranging from distant and lonely vocal echoes to vintage answering machines to in-your-face distorted guitar shredding, with looming drones and sustained synths to tie it all together with brilliantly seamless finesse. And the mastering quality is top-notch with a zero noise floor to let the artistry take front and center stage.

Pieces… is a work of 21st century studio wizardry richly in the spirit of classic Musique concrète and Eno’s generative methodology. (I also can’t resist its recollection of perhaps a Gothic incarnation of The Firesign Theater’s Bozos LP, particularly reminisced with the clapboard opening and fractured radio adverts.) And there is undeniably a hearty dose of John Carpenter’s desolate and foreboding 80s synths present here. But the record isn’t just the score to such a film. With all the scattered original vocal samples it effectively conjures the visual of an unmade motion picture as well.

There are no verses or choruses. There is only the persistence of the constantly-shifting ambient foci with strange new sounds vying for the listener’s attention at every turn. The album is a highly-engaging dystopian dramatization reminiscent of War Of The Worlds with the enhancement and magic of modern production which rewards dedicated listening. Pieces… is easily the most fascinating and impactful recording I’ve heard this year.

Five stars for its progressive concept, for its vision, for its implementation, for its production, for its social participatory element, and for music that truly deserves some attention.

A Promotion And An Introvert’s Dream

I was recently promoted at work and given the largest desk on the floor which is affectionately referred to as “The Fortress of Solitude” by my team. It’s off by itself with four enclosed walls making it an incredibly quiet and private space which is a dream for an introvert like myself. My supervisor was confident placing me there because he knew I could work independently but would also continue to supervise and interact with new members of the team to assist them as needed.

I wasted no time in making the space my own – a home away from home. I ordered a few antique art pieces, a Persian style rug, I printed custom posters and had them framed, ordered limited edition lithographs, and had a second bronze bust of Beethoven cast to match the one I use in my home office for use as headphone stands in each space.

To ensure that each of the pieces would function well in the space, I took a moment between tasks at work to sketch out a rough template of the work area’s measurements and where I planned to place/hang each artifact. Here’s the (very) rough layout.

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It took a few months for all of the art works to be created, printed, or to ship from their nations of origin, but it’s all come together. The final step was to replace the boring wheeled plastic desk chair with something more my style. Thankfully I scored a vintage red armchair for just $7 at a local garage sale.

Here are a few shots of the results.

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The last item has just arrived and is now handsomely framed on my office wall. This is the limited edition bonus A2 lithograph from Brian Eno’s new Extended Edition of Apollo: Atmospheres and Soundtracks, exclusively shipped to the first 250 persons worldwide to submit their orders upon the announcement of its release last May.

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The print showcases the lunar surface depicted on the original album cover from 1983. The piece is a perfect complement to the official Hearts of Space nebula poster I ordered from the ambient radio program that has been wishing space fans safe journeys for nearly forty years.

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The Beethoven bust turned out fantastic and really adds a refined touch to the space –

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My dual desktop wallpaper is a photo of the century-old chalkware “Nipper” statue and 1911 Monarch gramophone proudly displayed in my dining room in celebration of “His Master’s Voice,” the legacy of RCA, and the history of recorded music, and a small cast iron figure of Nipper sits humbly between the two monitors.

Here’s the actual statue in my home –

Chalkware Century Old Nipper and 1911 Monarch Replica Gramophone 02-12-19 - Close Up Pulled Back a Bit

and the cast iron figure –

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Also on display is my recently-acquired “His Master’s Voice” antique art mirror –

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a portrait of James Joyce, mantel clock, and I found a vintage lamp and shade to complement my burgundy-and-brass theme –

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a collage I assembled of influential figures in the history of experimental music titled, “The Rest Is Noise” –

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DJ Food (Strictly Kev)’s poster of all the releases from the late Pete Namlook’s ambient FAX +49-69/450464 record label –

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an engraved tea chest –

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and a limited edition t-shirt graphic I framed of post-rock legend Godspeed You! Black Emperor’s Faulty Schematics of a Ruined Machine from their majestic F# A# ∞ LP –

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There is also a fun antique style console radio clock –

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and I produced a high-res scan of Brian Eno’s sheet music for his seminal Music for Airports LP and formatted the layout to frame beautifully in a 10×13 frame above my desk.

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And on the far wall behind my desk I’ve framed the Apollo print and a classy 24” x 36” portrait of Miles Davis taken in 1948 in NYC from the Herman Leonard Collection.

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The Persian style area rug finishes off the space nicely, and makes it feel extra cozy.

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It’s a serene work space and really makes me feel at home.

Underworld MK1 – The Sire B-Sides

Underworld - Glory Glory.JPG

Another Underworld classic has arrived at Innerspace Labs! “Glory! Glory!” is a single from the Mk1 era before they changed their sound and released their epic Dubnobasswithmyheadman LP.

Their singles from this period were released between 1988 and 1989, and the Sire label singles featuring b-sides not found anywhere else in their catalog were issued exclusively in Germany and Australia.

I’ve researched all 53 variations of these single, compiled a list of all edits and b-sides and have been collecting them for years.

The Sire Singles b-sides include the following:

Glory Glory (7 pressings)

  • Shokk The Doctor
  • Glory! Glory! (Live – Full Length Version) – same as “Glory! Glory! (Live)”

Underneath the Radar (17 pressings)

  • Big Red X
  • Underneath the Radar (Edit)
  • Underneath The Radar (Instrumental Version)
  • Underneath The Radar (12″ Remix)
  • Underneath The Radar (7″ Remix) – 4:43 and exclusive to the Sire ‎– PRO-CD-2942 US CD Promo Single
  • Underneath The Radar (Dub)
  • Underneath The Radar (8:00 Remix) – same as 12″ remix
  • Underneath The Radar (6:00 Dub) – same as “(Dub)”
  • Underneath The Radar (Edit From Shep Petitibone Remix) – 4:40 and exclusive to the Sire ‎– 927 937-7 European 7″ single manufactured in Germany – NOTE: This version has the same runtime as the track listed on Sire ‎– PRO-CD-2942 called 7″ Remix issued as a promo CD in the US and the Discogs entry lists it as being “Edited By – Shep Pettibone.” They are very likely the same track.

Show Some Emotion (7 pressings)

  • Show Some Emotion (Remix)
  • Shokk The Doctor – also featured on some of the “Glory! Glory!” singles

Stand Up (14 pressings)

  • Stand Up (Extended Dance Mix)
  • Stand Up (Edit)
  • Stand Up (Ya House Mix)
  • Stand Up…(And Dance)
  • Outskirts

Thrash (3 pressings)

  • Thrash (Dance Pass)
  • Thrash (Extasy Pass)

Additionally, “Change the Weather” (3 pressings), “I Need a Doctor” (1 pressing), and “Pray” (1 pressing) were also issued as singles but only contained standard A-sides from the two full-length LPs released during the Mk1 era, Underneath the Radar (1988) and Change the Weather (1989).

Of these 53 releases I am missing four tracks –

Underneath the Radar (Edit) – 3:59
Underneath The Radar (7″ Remix) aka (Edit From Shep Pettibone Remix) – 4:43
Thrash (Dance Pass)  – 6:25
Thrash (Extasy Pass) – 5:46

I am actively working on completing the set.

I want to give some praise to Post Punk Monk who has engaged in a similar endeavor with Underworld’s even earlier work as Freur. His (or her) REVO Remastering: Freur/Underworld [Mk I] – Stainless Steel Tears [REVO 036] self-produced remaster compilation is exactly the sort of work I’m tackling.

At the present moment my Underworld collection presently comprises 62 physical releases and artifacts, memorabilia, subway posters, books, prints, magazine articles, DVDs, VHS tapes, etc, as well as 589 digital albums, EPs, mixes, concerts, and other materials. With new material being released every week, they’re showing no sign of slowing down.

How Record Collectors Find Lost Music And Preserve Our Cultural Heritage – A TED Talk By Alexis Charpentier (2018)

Ted Talk FB Note Image.png

This is a wonderful 14-minute talk about my most impassioned life’s work.

Charpentier shares a fascinating tale about a record digger discovering an unknown independent artist’s music in a dusty flea market – an artist who had never experienced fame in his time. This discovery and the determination and passion of the digger directly led to the artist’s music being reissued by a major label and inspiring the artist to begin performing again for the first time in decades. This is the magic that can come of crate digging and cultural curatorship.

And he describes how our collections become an autobiographical legacy meant to be passed on to future listeners.

He says, “Beautiful art deserves to be cherished, shared, and rediscovered.”

“We are alternative voices to the mainstream music channels, digital or otherwise. Go beyond the algorithm.”

“This music will change your life.”

Watch this short segment and understand my motives and my passions just a little better. ❤

Making My Office At Work Feel Like Home

I’m always excited to embark on little personal projects and this one really made a difference for me. I figured that if I am going to spend 9 hours a day, 5 days a week at the office, I might as well make it feel like home.

I’ve just won an auction and received an antique art mirror of Francis Barraud’s “His Master’s Voice” with ornamental engraving to add a touch of class to my desk.

01 Victor Talking Machine His Master's Voice Antique Art Mirror on Red Velvet Chair

Hanging the antique piece proved incredibly challenging, as the frame is real antique wood and the art mirror is incredibly fragile. I didn’t dare attempt to drill / screw / hammer any nails into the piece to add mounting hardware.

It took an hour and a half at my local hardware store but four different staff took great interest in my project and worked together to develop a solution that wouldn’t risk damaging the valuable piece. (I made sure to submit a customer survey of thanks and to write a review of the store in gratitude.)

It took six attempts to arrive a potentially viable solution. First, we tried these hardware items and kits…

02-03-04-05-06 combined (for BBCode)

I bought and returned each of the items above one at a time trying each on the antique in the store. But none of the above would penetrate the wood without risking cracking the frame or shattering the glass. It was only the final item – one associate’s bright idea of using Command Hooks which would be removable without marring the original work.

The nylon hanging wire didn’t end up working with the plastic Command Hooks but thankfully I had more fine and pliable beading wire on hand at home from a prior crafting project.

After a good night’s rest, I trekked to work and hung the new art mirror in my cubicle. Tragically the Command Hooks couldn’t bear the weight and instantly tore from the cubicle wall, but thankfully it didn’t shatter.

I improvised, realizing that I could knot the spare beading wire around the heavy metal staples affixing the mirror to the frame. The simplest solution proved the strongest and this is how it ended up:

03 Back of Art Mirror Fixed with Beading Wire Directly Applied to Staples.JPG

Here’s the piece displayed proudly:

04 Art Mirror Hung at Office

It complements my other cubicle adornments, which include:

– my newly-antique-framed custom-printed portrait of my favorite modernist author, James Joyce

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– a pair of handsome wood speakers with copper cones for a regal finish

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– an engraved wood felt-lined tea chest filled with my favorite variety of teas

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– a framed collage I put together showcasing portraits of a few figures in the 20th-century experimental music scene.

08 The Rest Is Noise Framed Collage
– and a 24×36 framed print of Miles Davis in New York in 1948 from the Herman Leonard Collection

09 Miles Davis 24x36 Poster Framed at Work.JPG
The next investment for my office should arrive this autumn. I’ve located a craftsman in Norway who custom designs rosewood headphone stands and will be commissioning one for the ORA Graphene Q cans once they ship.

It’s a cozy space and I’ve really made it my own! ❤

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More Minimal Ambient Classics

A visit to the legendary Bop Shop in my old home town of Rochester, NY yielded two delightful surprise acquisitions. The first was one of the three of Harold Budd’s 1970s and 80s classic output missing from my vinyl collection – Abandoned Cities. (I now need only The Pavilion of Dreams and The White Arcades to complete my collection.)

Harold Budd - Abandoned Cities

The other was an equally unexpected but similarly important work of early ambient music – a German import from Grönland Records combining two classic recordings of Can’s co-founder, Holger Czukay with the great David Sylvian.

Plight & Premonition / Flux & Mutability is a double reissue and remaster of their late-80s collaborations experimenting with abstract ambient soundscapes which are sparse, sombre, and atmospheric. Pitchfork contributor Robert Ham remarked that these recordings laid “the groundwork for years of ambient music that would follow.”

David Sylvian & Hogler Czukay - Plight & Premonition and Flux & Mutability

“Each feature two long instrumental works built around drones from a synthesizer or guitar interrupted by random shortwave-radio intrusions and occasionally disorienting tape edits.”

The first disc, Plight & Premonition, originally released in March of 1988, comprises drones of harmonium, synthesizer, piano, and guitar. The second disc, Flux & Mutability followed in 1989. Allmusic describes its ambience as “deep, expansive atmospheres with eerie samples and vacuous walls of sound” and calls the album “an important selection for fans of electronic minimalism.”

Both the Budd classic and this new remaster from Grönland are exquisite additions to my library of pioneering early ambient music. My next ambition is to secure a copy of the Editions EG 1981 reissue of Budd’s debut on Eno’s magnificent Obscure Records label in 1978. The Pavilion of Dreams is ethereal, holy, and exquisitely beautiful and has been a long-standing favorite recording of mine in the realm of the genre’s origins.

The Record Divider Project

Ever-striving to improve upon the organizational standards of The Innerspace Labs library, I finally set myself to the task of creating custom genre-labeled PVC dividers for the genre sections of my collection.

I began by assessing the key genres which would most effectively and productively be represented with tabs and compiled a list of 21 primary genres. Next, I surveyed various marketplaces for materials and determined that Rochester, NY’s classic Bags Unlimited collectors’ supply store had the best supplies available and at the lowest price compared to eBay and Amazon. (A tip – phoning in your order to BU will expedite the shipment as they do not have to transfer the materials from their web system!)

While their site is well-organized, they did not specifically provide dimension information for the tab area of their dividers nor the character width of their standard 0.5″ adhesive lettering. But with some simple importing and scaling in Gimp I was able to derive those dimensions and determine the maximum number of characters per 6″ tab, (which is approximately 12-15). I then adjusted all my genre labels, simplifying them to twelve or fewer characters.

Counting the number of each letter per sheet I dumped my list into a web-based character frequency counter and determined that I would need 9 of the shop’s sheets to complete the project. I ordered a pack of 10 to be safe. Shipping was free and they arrived in just 48 hours so I got right to work.

I had read on a scrapbooking site about the technique of using a flat acrylic ruler to aid in typesetting and in keeping the lettering centered and on a uniform baseline. Not having a typesetter’s ruler handy, and seeing that all suppliers in my area were out of stock of them, I produced one myself using a spare heavy sheet of acetate I found and  trimmed down in my workplace’s mail room, added a few 1/2″ incremental markings to aid in centering, and dove into the project.

01 Typesetting Underworld.JPG

It took just two hours from start to finish, and I photographed the results. Here are the completed set of 21 dividers just as I finished setting them.

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I pre-measured my various storage systems to ensure that these standard dividers would fit and function in each space. They worked perfectly. Here they are in action. I think they add a touch of professionalism to my listening room and hope that years from now when I retire and bestow my library upon a foundation or organization of my choice that these will make the work of the recipient far easier to bear.

It was a fun accomplishment!

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04 80s and 90s and Classic Rock

 

05 Comedy.JPG

06 Tom Waits

(The box sets shelf seemed sufficient on its own so I didn’t include a divider here.)

07 Box Sets Shelf

08 New Age Moog Funk & Soul

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10 Experimental

11 Blues Soundtracks and Instructional.JPG

12 Jim Henson

13 PFunk and Pink Floyd

The whole project was very affordable and really enhances my library’s organization. Highly recommended for anyone looking to spruce up their listening room!

To The Moon and Apollo 11

Last night I had the absolute honor of watching the new Apollo 11 moon mission movie composed of newly discovered footage from National archives along with previously existing footage. The content was expertly compiled into a riveting and breathtaking feature film, 100% authentic and free from Hollywood bombast and special effects. It was absolutely stunning.

And all throughout the film, I couldn’t help but grin like a child each time I heard voice samples from Mission Control, Buzz Aldrin, Neil Armstrong, and Nixon’s legendary phone call to the astronauts all instantly recognizable from the countless downtempo/electronic/ambient techno albums which borrowed heavily from these classic archival recordings.

Among them, I recognized samples from:

  • Coldcut’s “Outer Planetary Mix” remix of “The Guitar” by They Might Be Giants
  • The Orb – (much of the Adventures Beyond the Ultraworld LP)
  • Public Service Broadcasting – The Race for Space LP (featuring Sputnik 1, the Apollo 1 fire, and the Vostok 1, Voskhod 2, Vostok 6, Apollo 8, Apollo 11 and Apollo 17 missions)
  • and Lemon Jelly’s beautiful “Spacewalk” from their classic Lost Horizons LP.

If I’ve missed any other classics, please let me know!

In celebration of the incredible spirit and inspiration of the new film, I’m spinning Time Life’s NASA: To The Moon 6LP archival vinyl box set issued in 1969.

If you haven’t seen the film yet – I highly recommend it!

And for more NASA vinyl beauty, don’t miss this entry for the 40th Anniversary Voyager Golden Record Box Set!

NASA - To the Moon (Time Life Records)