Results of the Innerspace Labs’ Music Discovery Survey

The results are in for the Innerspace Labs Music Discovery Survey!  A huge thank-you to all who offered their input.

I created the survey out of a personal curiosity.  Sadly, I have very little contact with the general public outside of the few members of my digital publishing team at the office, and I wanted to know what impact the web has had on the ways listeners discover new sounds.

I suspected listeners utilized multiple media resources in their musical explorations and that certainly proved to be the case.  Contributors cited an average of 6.44 sources for new music data.  The majority of the music sources I offered as options for the survey were widely-used, save for rateyourmusic.com, music subreddits, Gnoosic, and Usenet groups which each accounted for fewer than 3% of users’ musical resources.  I found this particularly interesting as I visit RYM frequently as my primary ratings and review aggregator and find its information invaluable when researching artists and genres.

Survey Tablepsd

As expected, Youtube ranked as users’ most-used resource when sampling new sounds.  I was surprised, however, to find that radio, motion pictures, television, or other forms of mass media were the third-highest ranked information resource, right behind user’s own friends.  While I only see ~3 new films annually, and have no exposure to television or radio, it still appears that mass media is still a significant part of most people’s lives.

Spotify and other streaming services were the next-highest ranked source, accounting for 10% of listeners’ discoveries.  While they are not a viable source for non-commercial or analog-only recordings, they still offer an incredible convenience for quick-and-easy personalized radio stations and there is no shortage of articles proclaiming streaming the new standard for mass media.

Crate digging was another significant source, as were vinyl Facebook communities and private music forums.  I’m curious whether this is representative of the public at large or just for Innerspace readers, but it is exciting nonetheless.

I was similarly please by the results for music lit and other periodicals, which accounted for more than 5% of musical discovery.  While 5% doesn’t sound significant on the surface, bear in mind that users cited an average of 6-7 sources for new music, so I’m considering 5% a threshold for this survey.

Other sources of note are independent music blogs and local music performances, both of which were a delight to see still holding their own in the survey.  After attending the latest concert at my local university, I will certainly be visiting their music library for further research into works by their professors.

I’m also curious to see if torrenting will grow in popularity for general music research in the years ahead.  Personally, torrenting is a critical step in my music purchasing process.  I’ve yet to find a better system, whether for surveying the catalog of an artist or to compare various masters before investing my hard-earned cash.

I consider the survey a success as its certainly given me a better understanding of how users find new music.  Thanks once again to everyone who contributed!

How Innerspace Readers Discover New Music

The Shortest and Easiest Music Survey Ever… for SCIENCE!

I’m putting together a piece on music and technology where I’ll discuss the various ways listeners discover new music.  To help gather info, I’ve put together a fun and easy one-question survey asking How Do You Discover New Tunes?

Slide the sliders for each of the methods you use for a total of 100% of your musical discoveries.  Give it a try and please – share it on your social media networks – the more users that take the poll, the better the quality of the info I’ll compile!

Take The Innerspace Music Discovery Survey!

Published in: on March 22, 2015 at 3:36 pm  Comments (2)  
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Celebrating our 100th Post – Silence and Empty Words

Pencils ready!

Dear readers,

This is officially the 100th entry at The Innerspace Connection.  I have wonderful things planned for the coming month, featuring more great music and original content.  Innerspace has grown significantly in its readership in the last few years, and now I’m looking to you to find out what content you’d like to see in the next 100 posts.

I’m reaching out every active reader and passive lurker who follows this blog to answer this quick-and-easy 9-question survey.  Your responses will help me deliver the content you’re looking for in the future.   Thank you!

Click here and take the survey now!

It was a wonderful weekend.  My girlfriend spend it spinning Franz Liszt LPs,  and I picked up the next installment of John Cage’s lectures and writings for my library.

I queued up one of my new genre autoplaylists of modern-classical piano works while I read.  The list consisted of composers like Zazie Von Einem Anderen Stern, Ólafur Arnalds, Dustin O’Halloran (who you likely know from his collaboration with Adam Wiltzie performing as A Winged Victory for the Sullen), and selections from Reinbert De Leeuv performing the early piano works of Erik Satie.

This put me in a nostalgic Windham Hill mood, so I also threw in George Winston’s simple but enjoyable piano solos into the mix.  I finished off the set with the Interludes LP from Mannheim Steamroller which excerpts all the interludes from the Fresh Aire series of albums.  All in all excellent “thinking music” for a summer afternoon exploring the compositional processes of John Cage.

Mannheim Steamroller - Fresh Aire Interludes

I’m still working my way through SILENCE: Lectures and Writings [50th Anniversary Edition] from last year’s Christmas wish-list.  My girlfriend and I stopped into our local used bookshop and I was delighted to come upon Cage’s Empty Words: Writings ’73-’78 which picks up right where SILENCE left off.

John Cage - Silence and Empty Words

Empty Words is hardly casual bathroom reading, as you can see from the random page selection below.  But in the full context of Cage’s writings it begins to make (some sort of) sense.

John Cage - Empty Words (excerpt)

I’ve just ordered another reference text – Audio Culture: Readings in Modern Music by Christoph Cox and Daniel Warner.  I came upon the title quite by chance while researching texts on minimalism, and upon reading a particular review of the book I instantly ordered a copy.  Here is the review – from CMJ New Music Monthly.

“[Audio Culture] is an indispensable primer full of the theories behind noise, Free-jazz, minimalism, 20th century composition, ambient, avant-garde and all the other crazy shit your square-ass friends can’t believe you actually like. With writing and interviews from all the players in question (quoting Stockhausen is five points in hipster bingo), this book deconstructs all the essential ideas: Cage’s themes, Eno’s strategies, Zorn’s games and Merzbow’s undying love of porno.” –CMJ New Music Monthly, 7/04

The humor and wit of the review sold me 100% before I’d even read the item summary on Amazon.  This is particularly noteworthy as I rarely read texts written after the late 1970s.  (I have an affinity for Golden Age science fiction and classics of music non-fiction.)

I’ll be certain to post a review of the title, along with a second modern publication which I’ll keep under my hat for the moment.

That’s it for now.  Stay tuned for more, and if you haven’t already –  Click here and take the survey now!

Happy 100!