The Record Divider Project

Ever-striving to improve upon the organizational standards of The Innerspace Labs library, I finally set myself to the task of creating custom genre-labeled PVC dividers for the genre sections of my collection.

I began by assessing the key genres which would most effectively and productively be represented with tabs and compiled a list of 21 primary genres. Next, I surveyed various marketplaces for materials and determined that Rochester, NY’s classic Bags Unlimited collectors’ supply store had the best supplies available and at the lowest price compared to eBay and Amazon. (A tip – phoning in your order to BU will expedite the shipment as they do not have to transfer the materials from their web system!)

While their site is well-organized, they did not specifically provide dimension information for the tab area of their dividers nor the character width of their standard 0.5″ adhesive lettering. But with some simple importing and scaling in Gimp I was able to derive those dimensions and determine the maximum number of characters per 6″ tab, (which is approximately 12-15). I then adjusted all my genre labels, simplifying them to twelve or fewer characters.

Counting the number of each letter per sheet I dumped my list into a web-based character frequency counter and determined that I would need 9 of the shop’s sheets to complete the project. I ordered a pack of 10 to be safe. Shipping was free and they arrived in just 48 hours so I got right to work.

I had read on a scrapbooking site about the technique of using a flat acrylic ruler to aid in typesetting and in keeping the lettering centered and on a uniform baseline. Not having a typesetter’s ruler handy, and seeing that all suppliers in my area were out of stock of them, I produced one myself using a spare heavy sheet of acetate I found and  trimmed down in my workplace’s mail room, added a few 1/2″ incremental markings to aid in centering, and dove into the project.

01 Typesetting Underworld.JPG

It took just two hours from start to finish, and I photographed the results. Here are the completed set of 21 dividers just as I finished setting them.

02 All Genres Laid Out .JPG

I pre-measured my various storage systems to ensure that these standard dividers would fit and function in each space. They worked perfectly. Here they are in action. I think they add a touch of professionalism to my listening room and hope that years from now when I retire and bestow my library upon a foundation or organization of my choice that these will make the work of the recipient far easier to bear.

It was a fun accomplishment!

03 Rolling Chest Beer Sink.JPG

04 80s and 90s and Classic Rock

 

05 Comedy.JPG

06 Tom Waits

(The box sets shelf seemed sufficient on its own so I didn’t include a divider here.)

07 Box Sets Shelf

08 New Age Moog Funk & Soul

09 Jazz.JPG

10 Experimental

11 Blues Soundtracks and Instructional.JPG

12 Jim Henson

13 PFunk and Pink Floyd

The whole project was very affordable and really enhances my library’s organization. Highly recommended for anyone looking to spruce up their listening room!

Miles has arrived, and he is LIVE.

The Miles Davis official website and Facebook page have been brimming with news about the March 25th release of MILES AT THE FILLMORE Miles Davis 1970: The Bootleg Series Vol. 3.  I’ve really enjoyed discovering Miles’ work for this period, and the notion of new live material certainly caught my attention.

Sadly, these recordings are set for release exclusively on CD, with no option for vinyl or digital download that I could see.  The official site does make mention that many of Davis’ recordings are currently being “remastered for iTunes…” (and I will bite my tongue here.)

Not to have my excitement shattered, I hurried over to discogs.com.  The official site stated that these recordings had for the most part only been available as bootlegs before this new release.  A few minutes of digging and I learned that a sampling of both shows were issued on an official compilation double LP on the Columbia label in 1970.  I instantly dismissed this option and pressed onward.  Surely, I could secure a copy of at least one of these legendary performances complete and in a vinyl format.

While on the hunt I found that these two performances are said to have been a pivotal moment for Davis – introducing the deadheads and other rock and roll cultures of the Fillmore scene to fusion and Davis’ own brand of new jazz.  Furthermore it is said that these performances are what secured Miles Davis’ induction as the first instrumentalist in the Rock and Roll Hall of Fame.

And that’s when I found it.  Apparently, the Fillmore West performance was released in its entirety as a double LP in 1973, exclusively in Japan.  But before I scrambled for the discogs marketplace, I acted instead, on a hunch.

I phoned the Bop Shop in my old home town of Rochester, NY.  Tom at the Bop Shop has been the core of the jazz scene in the city for over 30 years.  He’s brought countless jazz acts to the city, and his shop is a must-visit for any discerning music fan.

I told him what I was looking for, and he breathed deep.  “Jeez, I’ve never come across that record,” he confessed.  But before ending the call, he asked me to hold on while he dug around in his back stock just in case.

30 seconds later, he returned to the line.  “Here it is!  Black Beauty, 1973!”

This evening it was waiting on my doorstep.  There’s nothing better than finding great music you never knew you wanted.

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And here’s a 30 minute sample from the performance.

Race For the Prize

Just as a reminder to all I am off from work Fri June 24 – Monday June 27th, the weekend of my 30th birthday.

I am still working out a way to get to Rochester as my love will sadly have to work that entire weekend but we’ll figure it out somehow.  A generous friend has already offered his guest room and a few rides around town for the weekend.  (The Baron thanks you!)

Astonishingly, I learned this morning that the Flaming Lips will be playing in Rochester that very Saturday!  Quite sadly I won’t be attending (I don’t have the thirty-odd dollars for a ticket and I have no one to join me besides.)  I will be on the lookout for a recording of the show in the days that follow.  If you happen to see it posted anywhere please drop me a line?

What makes the show even more special is that the Lips have been touring live performances of their 1999 masterpiece, The Soft Bulletin played from start to finish.  It’s rumored that the Rochester set will be one of the Bulletin shows!

And the band has just released the cover art for their upcoming album – The Soft Bulletin: Live La Fantastique de Institution 2011 (recorded live at SUNY Fredonia!)

Soft Bulletin Live

Just in case you haven’t seen any of the Flaming Lips’ legendary stage shows I have something special for you.  Click the link below to watch the very first Soft Bulletin Live concert from the 2011 New Year’s Eve Freak-Out.

The Soft Bulletin Live @ The 2011 New Years Eve Freak-Out

Definitely bummed that I’ll have to miss the show but I’m excited just the same that I’ll get to celebrate my 30th with all my friends and family back home.  See you then!