Midnight on Mars: Ambient Worlds

Checking in for the Playlist of the Day! Tonight – Midnight on Mars: Ambient Worlds.

The list comprises the work of 1300 artists and clocks in at 2,794 hrs 29 mins. It’s a collection of the finest LPs from nearly a century of ambient music.

NP: Fripp & Eno’s “The Heavenly Music Corporation (Reversed) Pt 1”

A Bit of Eno

I’m so very excited – just a few days ago I was browsing Discogs and by a sheer stroke of luck happened upon the newly-released first-ever vinyl pressing of Fripp & Eno’s Equatorial Stars.

Recorded in 2004, the album marked a 30-year reunion for the two musicians, who last collaborated on the Evening Star LP in 1975. Evening Star was the follow-up to their premiere frippertronic album – the monumental classic, (No Pussyfooting).

My Eno LPs to date…

Eno Collection 1Eno Collection 2Eno Collection 3

Brian Eno is an incredible hero of mine. From his genre-defining masterpiece, Music for Airports to his 77 Million Paintings project, from his zen-like Oblique Strategies deck to The Long Now Foundation, I’ve been following his work for more than 15 years and loving each new discovery.

One of my favorite (and sadly lesser-known) works by Eno was his January 07003 / Bell Studies for the Clock of the Long Now which features chimes for a timepiece that operates with minimum human intervention for ten millennia.

I’m still missing a few of the albums from Eno’s primary discography on vinyl, such as Ambient 3: Day of Radiance, Music for Films 2 and 3, and Thursday Afternoon, but I do maintain a 64-album digital discographic archive for added accessibility.

Eno’s recent collaborative projects with my other hero, Karl Hyde were a dream come true. Both are highly-acclaimed visual artists as well as musicians and have been wonderful inspirations for my own creative ventures.

Their collaboration drew inspiration from the repetitive minimalism of my other favorite composers like Steve Reich and Phillip Glass, and from the polyrhythmic music of Fela Kuti and funk.  For those who missed my post from the album’s debut, check out the fractured groove of “DBF.”

At age 66, Eno has no intention of slowing down, and I look forward to his next innovative project.

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The History of Modern Ambient Music: Part 1 – 1973-1993

Hello friends!  My second video is now up on The Innerspace Connection’s Youtube channel – this is the first of a 2-part series showcasing milestone recordings of modern ambient music.

Here are the highlights of albums recorded between 1973 and 1993, presented in the order of their release.

Or click here for the HD version.

Treasures Untold

Between my recent motherboard failure and setting up the replacement PC my stepfather so generously donated to me, I’ve picked up a lot of vinyl that didn’t make it to my blog.  I thought I’d take a moment to highlight some of the better ones that I’ve neglected.

First, I found Funkadelic’s Electric Spanking of War Babies in NM shape at an antique shop.  It is another outstanding example of Pedro Bell’s artwork.

The next item I picked up was the first album to feature regenerative tape loops which Robert Fripp and Brian Eno dubbed ‘Frippertronics.’  The album is an ambient classic – No Pussyfooting.

Side A is the standout track at over 20 minutes in length, titled “The Heavenly Music Corporation.”

I insist on tracking down original pressings whenever possible, and I was lucky to find an extremely clean copy at a great price.

And thanks to my friend Brrrn and good timing at a flea market, two more early Eno recordings fell into my hands.  One was Taking Tiger Mountain (By Strategy) – Eno’s second solo album and the other was a long-time favorite collaboration with Harold Budd titled Ambient 2 – Plateaux of Mirror.  Plateaux was one of my first digital ambient albums many years ago.

The next treasure is a deep cut, and one of historical significance.  I was exploring The Orb’s catalog and read about a curious track called “The Blue Room,” a 17 minute song which appeared on the album u.f.orb.  What I discovered was that the original single was in fact 40:00 long.

From Wiki:

The UK charts had recently decided that any release with more than 40 minutes of play would be classified as an album rather than single. The Orb thus decided to record a 39:57 version of “Blue Room” for a special release. “Blue Room” is the longest single to ever reach the UK charts, peaking at number eight.

If you have ANY interest in ambient house, you need to hear this song.

The last find in the spectrum of ambient music was a dollar bin neoclassical LP by David Lanz.  Nightfall is one of his best works.

There were several other discoveries including a number of Yes albums previously missing from my collection and Zappa’s Hot Rats which features wonderful contributions from Don Van Vliet.

Last but most certainly not least, I found a number of Sesame Street albums to add to my Jim Henson library.  It’s getting harder and harder to find ones I don’t already have, (over 40 at last count) so these were a treat.

The Ernie LP is extra special.  Mint in shrink, it includes some of my most beloved memories from the Street – “Rubber Duckie,” “Imagination,” “I Don’t Want to Live On The Moon,” and the hilarious “Dance Myself to Sleep.”

If only it featured “Put Down the Duckie” it would be my favorite Sesame record ever.  Sadly, that duet between Ernie and Hoots the Owl never made it to vinyl.

Here’s the video for “Dance Myself to Sleep.”  If you’re really savvy you might just catch the Andrews Sisters reference Ernie makes to a hit from 1941.  Watch for it!