The Innerspace Labs Top 100 Albums

Recently a vinyl community I frequent held a month-long event where members shared their Top 30 LPs. I had a wonderful time coming up with my list and writing small reviews for each title. Unfortunately, I had a terrible time limiting my list to just 30, and it quickly grew to a Top 100. (And even then, I’ve cheated here and there with multi-disc box sets and discographies.)

But it all seemed too good not to share here at Innerspace so please enjoy a gallery of 100 of my favorite albums. Mouse over any thumbnail for artist and title info and click any image to expand and view the full-resolution photograph. All albums are presented alphabetically by artist.

Have I made any glaring omissions? Any indisputable electronic classics? Let me know! Perhaps we’ll have to push it to 200…

Enjoy!

An Exploration of Kosmische Musik Essentials (2 of 2)

Welcome to the conclusion to my 2-part feature on kosmische essentials.  First, an apology to readers who expected to see Neu’s first two albums, La Dusseldorf, Faust, and Harmonia.  I fully recognize the importance and grand influence of these artists, however they’ve thus far been absent from my collection.  They will surely be added in due time, but for now we’ll begin with another essential – Germany’s Can.

Can recorded three milestones of krautrock between 1971 and 73 – namely, Tago Mago, Ege Bamyasi, and my favorite – Future Days.  Fans may argue that their debut album Monster Movie was a far more important record, but these three albums feature some of the most mind-blowing tracks I’ve ever heard.  This is effectively the opposite of Kraftwerk.  Instead of Ralf and Florian’s polished industrial mechanized music, Can offers chaotic, psychedelic tunes and spontaneous lyricism that made them icons of the genre.

These are the United Artists marbled vinyl pressings from around 2009.  I’m uncertain whether or not these are authorized reissues, but no corners were cut on the quality of either the heavyweight gatefold jackets or the quality of the colored vinyl.  Absolutely essential.

Can - Tago Mago

 Can – Tago Mago (1971)

Can - Ege Bamyasi

Can – Ege Bamyasi (1972)

Can - Future Days
 Can – Future Days (1973)

Popol Vuh is another artist with a dauntingly extensive catalog of albums.  I’ll highlight my personal favorite – Hosianna Mantra – minimal choral music from Germany recently reissued by a small independent record store in Spain.  The pressing restored the original album art (after the 1980s American issue replaced the gorgeous cover with a boring large yellow circle).  Better still, the disc shipped with a bonus 7″ single and a poster, limited to 500 copies worldwide.  Wah Wah Records continues to release long out-of-print titles and is a label well-worth exploring.

 Popol Vuh - Hosianna Mantra 07 Seven Inch Sleeve

Popol Vuh – Hosianna Mantra (1972)

Another essential deep into the territory of Berlin School ambience is Manuel Gottsching’s Inventions for Electric Guitar from 1975.  This, in my humble opinion, is space rock perfection.  An expert’s blend of guitar, trance inducing rhythm, and delay and echo effects.  There’s really very little else happening on this record, but Gottsching transports the listener to the furthest reaches of outer space.  This is music for interstellar travel.


Manuel Gottsching - Inventions for Electric Guitar

Manuel Göttsching – Inventions for Electric Guitar (1975)

And Inventions became the precursor to Gottsching’s most important work – E2-E4 from 1984.  Allmusic was spot-on when they described the record as sounding like the house music of the 20 years that followed its release.  Gottsching focuses all his energy on the delicate interplay between guitar loops, drum synths, and sparsely-interjected tones from an accompanying synthesizer.  This is pure trance… from 1984.

Manuel Gottsching - E2-E4

Manuel Göttsching – E2-E4 (1984)

But perhaps no individual had as expansive a solo and collaborative catalog in the Berlin School than Klaus Schulze.  Irrlicht (1972) was Schulze’s first official solo album, recorded just a month before Zeit.  This is cerebral, classically-influenced cosmic music – a magnificent milestone of the genre.

Klaus Schulze - Irrlicht

Klaus Schulze - Irrlicht

Klaus Schulze – Irrlicht (1972)

If you buy only one Klaus Schulze record, (and there are well over 100), please consider the massively successful double LP – X from 1978.  X is hypnotic and entrancing modern classical music and is universally acclaimed as one of Schulze’s finest efforts.  The album is subtitled, “Six Musical Biographies” as each track is named after one of Schulze’s greatest inspirations.  This is not passive listening – these songs, many in excess of 20 minutes in length, are engaging explorations of synthesized sound.

Klaus Schulze - X

Klaus Schulze – X (1978)

Also recommended are Schulze’s 12-volume collaboration with Pete Namlook – The Dark Side of the Moog series, and for the fan who has everything-Schulze, I encourage you to look into The Ultimate Edition – a 50-disc collection of box sets featuring numerous live and non-album recordings.  It clocks in at 65 hours of material and I love cuing it up at work to transform my 9-5 into a calm and meditative atmosphere.

Here I’d like to touch quickly upon a non-German record that was really in the spirit of what Schulze and his fellow Berlin-schoolers were up to in the late 70s.  Steve Hillage, one of the primary figures of the Canterbury scene in the UK recorded Rainbow Dome Musick for the Festival for Mind-Body-Spirit in 1979.  While not geographically qualifying as “Berlin School,” it is most definitely of the same caliber as its German counterparts.

The album features Hillage on guitars, the Fender Rhodes, and ARP and Moog synthesizers.  A smattering of Tibetan bells and the sound of a running stream make the album approach the then-budding territory of New Age music, but Hillage’s musicianship and penchant for the avant-garde exempt the album from the flood of forgettable New Age music of the era.  If you like Schulze’s solo work, you really should check out Rainbow Dome Musick.

Steve Hillage - Rainbow Dome Musick

Steve Hillage – Rainbow Dome Musick (1979)

 I always end my multi-album features with something unique – and this is no exception.

Public Service Broadcasting is a London-based duo who create retro-futuristic electronic music much in the spirit of classic krautrock.  They use samples from old public information films, archival footage and propaganda material, to (quote) ‘teach the lessons of the past through the music of the future’.  PSB combines classic synths with banjo, ukulele, sax and trumpets all propelled by a nearly-motorik beat.

Public Service Broadcasting - Inform Educate Entertain

Both their album art and their music bear the streamlined magnificence of the Futurists.  My two favorite selections are The War Room EP and their first full-length release, Inform, Educate, Entertain.  I’ve also just pre-ordered their exciting new record scheduled for release this February.

Public Service Broadcasting – Inform Educate Entertain

But to close with a proper German record, I can’t leave out my recent acquisition from December of 2014 – GAS.  Wolfgang Voigt’s legendary titles released under the Gas moniker were combined in an abbreviated double LP, Nah Und Fern in 2008 on the Kompakt label.  Recorded between 1996 and 2000, Gas is perhaps the ultimate vision of the Berlin School’s musical philosophy.  To recap the brilliant descriptions from critics upon its release – zero-gravity club music, tunes for lucid dreaming, underwater techno, or as Wire put it, “an outdoor rave, heard floating through the air from a neighbouring village.”  This is precisely the sound of Gas.

Gas - Nah Und Fern

Gas – Zauberberg (1997)

Gas – Königsforst (1999)

Gas – Pop (2000)

My next German music purchases will likely include the first Cosmic Jokers LP, Schulze’s Timewind, and Froese’s solo debut – Aqua on the Brain label.

I hope these featured essentials are helpful to anyone venturing into kosmische music for the first time.  Have I left out any of your own favorites?  Let me know!

Space Music (Literally)

If you had to sum up what Earth is like, what would you say?

“Sounds of the Earth” – The Voyager Golden Record was Earth’s message to the stars in 1977.  It recently exited our solar system in September of 2013 with the Voyager I space probe, and carries greetings in 55 languages, and sounds ranging from a child’s laughter, to whales singing, to a Brandenburg Concerto and Blind Willie Johnson playing the blues.

Voyager Golden Record

Sadly, only two copies were pressed, and each affixed to the Voyager I and II.  In fact, the copyright owners for the images and music on the actual record signed agreements which only permitted the replay of their works outside of the solar system.

Fortunately for we Earthlings, CD copies of the images and recordings of the Voyager Golden Record were included with Murmurs of Earth – a deluxe hardcover book detailing the contents of the historic LP.  Warner New Media would eventually release a CD-ROM version of the album in 1992.  And thankfully, each of these releases surface with some regularity on Amazon and eBay.

Murmurs of Earth Hardcover
Here is the complete LP:

But to take space music one step further – in 1993, Brain/Mind Research and LaserLight Digital ‎released a 5-disc set titled, Symphonies of the Planets.  These recordings were based on electromagnetic data of the outer Solar System, as recorded by instruments on board the Voyager I and II.

Symphonies of the Planets

The result is over two and a half hours of low-end drone frequencies.  Wonderful study-music and a great way to make your listening room feel ten times its actual size.

Disc One of Five:

And what entry on the subject of Space Music would be complete without the soundtrack to Carl Sagan’s Cosmos: A Personal Voyage?

The Music of Cosmos
The Music of Cosmos (1981 LP)

This will forever be the sound I associate with space, and I’m sure the same goes for the millions of others who grew up watching Sagan’s Personal Voyage.  More than any Tangerine Dream album, more than  Tomita’s reimagining of  Debussy’s work on the Snowflakes Are Dancing LP, and more than any Fax/Namlook/Schulze record… the Cosmos soundtrack is an album for the ages.

But on to the present day, the space music that everyone is talking about today is Alan Silverstri’s score to the new Cosmos: A Spacetime Odyssey.

Cosmos: A Space Time Odyssey
Here is a track from Vol 1 of 4, now available on iTunes.  Silverstri is known for his work conducting and composing film scores, such as the memorable soundtracks for the Back to the Future trilogy, Who Framed Roger Rabbit, and Forrest Gump,  but perhaps most importantly it was his score to Carl Sagan’s Contact film from 1997 that made him the ideal composer for this, the latest project made in Carl Sagan’s memory.

We’re crossing our fingers for a 4LP box set when the series completes.