The Innerspace Labs Top 100 Albums

Recently a vinyl community I frequent held a month-long event where members shared their Top 30 LPs. I had a wonderful time coming up with my list and writing small reviews for each title. Unfortunately, I had a terrible time limiting my list to just 30, and it quickly grew to a Top 100. (And even then, I’ve cheated here and there with multi-disc box sets and discographies.)

But it all seemed too good not to share here at Innerspace so please enjoy a gallery of 100 of my favorite albums. Mouse over any thumbnail for artist and title info and click any image to expand and view the full-resolution photograph. All albums are presented alphabetically by artist.

Have I made any glaring omissions? Any indisputable electronic classics? Let me know! Perhaps we’ll have to push it to 200…

Enjoy!

Arctic Ambient (or) Ambient House at 30,000 Ft

I’ve really been enjoying my copies of Gas’ Nah Und Fern vinyl set and the deluxe edition 9LP set of William Basinki’s epic Disintegration Loops. It seemed long-overdue that I retrace my musical steps to the summer of 2009 when I’d first crossed paths with a fellow music-lover and ambient guru who introduced me to Gas in the first place.

Gas - Nah Und Fern

He’d mentioned several similar artists which I briefly sampled but never fully-explored.  There’s no better time than the present to remedy that mistake.

This friend had a particular affinity for Nordic-based “arctic-ambient” music – frigid soundscapes of isolation and desolation. Still these recordings had a cerebral and meditative quality that really draws the listener in and that’s something I really need in my life at present.

So I began my re-visiting of 2009 with an artist whose name happened to surface in one of my online vinyl communities. (Call it a sign if you’d like.) Biosphere is Geir Jenssen – a Norwegian musician specializing in ambient electronic music. It was while researching him that I first-encountered the term, “arctic-ambient” and I just had to hear more. In 2001 users of the online rave community, Hyperreal voted his Substrata LP as the best all-time classic ambient album. It was this very album which surfaced in the vinyl community and inspired my rediscovery of the genre, and I was truly impressed by the transportive quality of the record.

Another artist I recalled as having worked with Biosphere was HIA. Higher Intelligence Agency is the music project of Bobby Bird of Birmingham, UK. I was instantly excited to learn that he had released two ambient glitch albums on Pete Namlook’s brilliant FAX +49-69/450464 label of which I make frequent mention.

HIA collaborated with Biosphere on two live recordings, namely the frigid Polar Sequences in 1996…

…and the more temperate Birmingham Frequencies in 1999.

These are wonderfully expansive, atmospheric recordings and make for excellent headphone listening.

But stripping things down to the very shell of ambient music I found the next half-forgotten memory of the summer long-passed.  Deathprod is Norwegian artist Helge Sten. (I envision Norway as being absolutely overrun with ambient laptop musicians.) If you only buy one Deathprod album, get the self-titled Deathprod box set. (Not cheating – box sets are okay in my book.) The 4-disc set comprises Morals and Dogma, Treetop Drive (a long-deleted album from 1994), Imaginary Songs From Tristan Da Cunha from 1996, and “Reference Frequencies” (a disc of previously unreleased, rare and deleted tracks). Better-still, Deathprod Collaborated with Biosphere in 1998 on the album, Nordheim Transformed.

Christian Fennesz (performing simply as “Fennesz”) of Vienna, Austria has produced a number of albums in the same stark, ambient-electronic vein. Highlights include his 2004 album Venice,

Endless Summer from 2001

and Black Sea released in 2008.

I also enjoyed his collaborations with ambient veteran, Ryuichi Sakamoto – Cendre (2007)

…and Flumina (2011).

Fennesz creates white-noise washes of modified guitar loops very much in the spirit of the Frippertronic tape works of Fripp and Eno and Sakamoto adds a refined touch of modern-classical solo piano.

Deaf Center is the last major piece of this dark ambient puzzle.  Norway’s Erik Skodvin and Otto Totland produce epic and theatrical minimal soundscapes.  To steal a beautifully-concise description from RYM user, Son_of_Northern_Darkness – Deaf Center is, “a nice soundtrack to the construction of your own snow-coffin.”

Neon City was an impressive first-outing for the duo, but their first full-length LP released the following year, Pale Ravine stands as their most cohesive work thus far.

Neon City

and the haunting, Pale Ravine

To close with something a bit more lively, Sweden’s own Carbon Based Lifeforms leans more in the direction of psybient music, with their heavy usage of melodic loops, echoes, and steady rhythms. This is ambient music with a vibrant pulse. Check out World of Sleepers

So thank you, my old friend for sharing such wonderful music with me.  I’m sorry it’s taken me all these years to really explore it, but better late than never!

KLF Rairities from Santa – the Albums That Spawned a Genre!

I got two more rarities for my KLF collection this Christmas, and an amazing story behind it!

KLF - Space and Chill Out 12-25-11
Copies of the legendary Chill Out LP are impossible to come by in the states, so my girlfriend’s mother ordered me a copy from Belgium for Christmas.  She later received the email in the above picture stating that the disc was destroyed at customs!  But the Christmas spirit was with this generous seller – he remedied the situation and made my holiday by shipping his own personal copy (in DEAD MINT condition) at no additional charge.  THANK YOU Sebastien!

About the albums –

These two recordings, released in 1990 are the first ever examples of ambient house.

Space was recorded by Jimi Cauty and Alex Paterson just after the release of The Orb’s single, “A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld.”  It was intended to be The Orb’s debut album, but the duo split and Cauty released it under the name “Space.”  A large percentage of the copies that surface are bootlegs, but I was fortunate enough to pick up an original pressing.  Cauty simply describes Space as, “a record for 14 year old space cadets to go and take acid to for the first time.”

Chill Out is a milestone in the history of ambient music – the sound of a post-rave late night road trip from Texas to Louisiana recorded in one live take at Trancentral.  Like Space, it was in part a collaboration between the KLF and Alex Paterson, and was recorded in February of the same year.

Check out my favorite track from Chill Out – “Elvis On The Radio, Steel Guitar In My Soul.”