Drone Adventures in PaulStretch – Music for Airports Reconstructed

OpenCulture recently posted a feature on a SlowMotionRadio’s stretched and slowed interpretation of Brian Eno’s seminal ambient album, Music for Airports transforming it into a 6-hour meditative drone. But as the track was a YouTube link, it was pretty much useless if the listener wanted to be able to do anything on their device during the 6-hours of playback. Ripping audio from YouTube results in low-bitrate audio so I reconstructed the 6-hour drone myself in Audacity. I figured if I was going to reproduce it from scratch I may as well use the highest quality source so I opted for the lossless DSD 2004/2009 remastered edition by Simon Heyworth of Super Audio Mastering of the original 1978 album and stretched it to the same target duration of the 6-hour video.

The result was vastly different from the YouTube version, due to both the lossless quality and my opting for the remastered source. The attack and decay of each note are vastly more dynamic and nuanced whereas the low-bitrate YouTube video is more of an auditory haze. Perhaps some will prefer it that way, but I was keen to try my hand at the task and am pleased with the results.

I’ve exported it as both archival FLAC and as a high-bitrate 320CBR MP3.

Here’s the YouTube version which inspired the project tonight.

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  1. […] at Innerspace Labs – first the Nipper RCA “His Master’s Voice” project, then the six-hour drone high-fidelity ambient experiment with Eno’s Music For Airports, followed by the Fred Deakin archive update. But it was the sixth subsequent undertaking which […]


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