Hearkening Back to 4AD

This evening I found myself feeling emotionally and intellectually nostalgic for 1984-1994 ethereal wave / jangle-pop / neo-psychedelia / slowcore / art punk music which I’d only superficially explored in my college days.

This was music I emotionally-associate with the new-found independence and freedom (before the crushing reality of student loan debt sank in.)

As I’m never one to take on a task lightly, I charged full-speed to RYM, building custom charts of heroin-inspired jangle-pop and dreamy drone music of the late eighties and early nineties.

I consider these years sacred, before the industry latched on to the budding “alternative” rock scene and everything went to hell. These are the years before grunge hit full-swing, before megastars like Eddie Vedder, Chris Cornell, and Gavin Rossdale were featured every three songs on every commercial radio station in the US.

The free-form college rock scene was instead dominated by unlikely and reclusive rockers like J Spaceman and Elizabeth Fraser of Cocteau Twins.

Now armed with a roster of essential recordings, I’ll begin compiling the necessary albums for what will fill many evenings with the music from artists such as:

Spacemen 3
Spiritualized
Belly
Cocteau Twins
Curve
Galaxy 500
The Jesus & Mary Chain
Lush
Medicine
My Bloody Valentine
Sisters of Mercy
Slowdive
Sparklehorse
Suicide
The Church
Throwing Muses

…and a score of other essential artists of the dreamy early-alternative and pre-grunge scene.

I also count among these artists American Analog Set for their whisper-core indie music which came after the heyday of the shoegaze genre.

Spacemen 3 so adequately summarized the entire scene – “Taking Drugs To Make Music To Take Drugs To.”

spiritualized_3

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