This Week’s Listening – Early Krautrock, Proto Ambient, and Musique Concrete

Many discographies have been added to the Archive since the last post, so I’ll dive right in and highlight some of the more memorable recordings I’ve heard as of late.  I’ve been exploring my library of over 100 Nurse With Wound albums and singles, and especially enjoyed Shipwreck Radio Vol 1, which was recorded in Lofoten, Norway between June and July of 2004.

The opening track is a slow build of metallic clamor with a few melodic notes and minimal percussion which gradually become lost in the cloud of noise.  It’s beautifully rhythmic atonal music which I grooved along with for the full 15 minutes of the track.  Great stuff.

Next I finally added Jean Michael Jarre’s classic [1978] Equinoxe and [1976] Oxygene LPs to the digital side of my library.  I hadn’t played his albums in at least five years and it was wonderfully refreshing to hear them on my new Denon rosewood turntable, particularly as my Focal floor speakers perform better in the new, smaller space.  Deep sawtooth waves reverberated from my concrete walls and created a lovely bass pocket right in front of my velvet sectional.  I couldn’t ask for anything more.
I’m still building my Jean Jacques Perrey collection, which began with my acquisition of Perrey and Kingsley’s The In Sound From Way Out.  Moog Indigo is another classic I’m after, featuring the hit, “E.V.A.”  And Perrey recorded a musique concrete electronic album in 1963 – Musique Electronique du Cosmos which I’d love to pick up as well.

On to more modern recordings – I’ve loved the first two LPs by minimal drone artist, Black Swan since their release in 2010 and ’11.  Black Swan composes what are perhaps the finest modern classical works I’ve ever heard.  Quite sadly, the Wikipedia, allmusic, rateyourmusic, and discogs offer absolutely no information about the artist.  And the Black Swan official homepage presents little more than snapshots of their minimal but breathtaking album covers.

Fortunately, a user review from Discogs sums it up nicely:

The anonymity of this New York-based artist has an effect on the listening experience. The music is given the right to exist on its own, as if it had always existed. It stakes its claim in the mind, making the listener a collaborator in a seductive narrative-noire that travels through a hall of horrors and memories, an escort to a final resting place. One might encounter spirit animals, forgotten lovers, faceless apparitions, leviathan rifts, or a cozy blanket of stars. It is easy to become comfortable in the soothing darkness, and when it seems like eternity has arrived, Black Swan pulls the plug.

And so I was absolutely floored when the artist posted a first-ever listen to a pre-Black Swan double album they, (he? she?) produced all the way back in 2001.  The previously-unreleased album is called Alone Again With the Dawn Coming Up: A Tribute to the KLF.

It took a moment for the sheer awesomeness to fire across my synapses.

BLACK SWAN… POSTED A 12-YEAR OLD TRIBUTE RECORD… TO THE KLF.

In its entirety.  For free.  Complete with album art (a la Chill Out.)

Once you’ve scooped your cerebral matter off the back wall of your room, head over to swanplague.com/ and download it NOW before it disappears.

AloneAgainWithTheDawnComingUp_WEB

The moment Black Swan decides to release this gem on vinyl, I plan to hire a private detective, discover the true identity of the band, drive to their house in NYC and order a copy in person.

It’s that good.

And the Chill Out tribute serves as a perfect segue into our next featured rare recording – The KLF Recovered & Remastered EP -4.

“Oh,” you say, casually.  “You mean the [2012] 6 EP limited edition set of the KLF Recovered & Remastered which you featured in your previous post?”

It’s actually one mark better than that – as this is from the new series-in-progress of “MINUS” releases.  The first came out in August of 2012 – KLF MINUS-ONE featuring four new mixes of “It’s Grim Up North.”  You can order it here.

The latest disc in the series is [2013] MINUS-FOUR (The KLF Remix Project Part III).  Watch this link for copies to surface.

I’m through the first three tracks at the time of this posting and have loved every second of it.  Just as with KLF 006 RE (Live From the Lost Continent), this is a disc that requires that you:

1. Turn off all the lights
2. Put on you finest circumaural studio monitors
and
3. Turn it up to eleven.

Cheers to Mr. Ward for your magnificent work keeping the KLF alive into the new millennium.

The next minimal techno masterpiece to land on my doorstep was Pantha Du Prince’s
[2007] This Bliss [DIAL LP09].  Have a listen to “Walden 2.”

And just a few days later – Aphex Twin’s legendary [1994] Selected Ambient Works Vol.2 (2012 3LP reissue) was waiting for me when I got home from work!  Here is “Blue Calx.”

Other ambient space music treasures of the week include Tangerine Dream’s [1985] In the Beginning 6LP Box Set (COMP), which includes:

[1970] Electronic Meditation
[1971] Alpha Centauri
[1972] Zeit
[1973] Atem
[1973] Green Desert (Released 1986)

This is, by far the most affordable way to pick up all the early (pre-sequencer) Tangerine Dream  for under $75.

699255

And finally, I must highlight a few early krautrock records which approach Berlin School space music territory.

The first is Cosmic Jokers’ [1973] jam session – The Cosmic Jokers.  This is the krautrock super-group that never was, and an album that never should have been.  Thankfully, it was captured to tape and commercially released, so track this baby down and order a copy!

The next gem is Popol Vuh’s [1972] Hosianna Mantra – the most spiritual German ambient album ever conceived.  I’ll let the album speak for itself.

Also featured this week is Mr. Klaus Schulze.  Schulze worked on the first Tangerine Dream record and the first Popol Vuh LP before setting off on his own legendary solo career.

My favorite album from his extensive discography is his first record – the proto-ambient/proto-drone, Irrlicht from 1972.

I’ve also picked up [2000] The Ultimate Edition 50 CD Box Set and will report my findings once I’ve put a considerable dent into the collection.

And finally, after hearing what is quite possibly the greatest Kraftwerk live concert of all time (K9 Radio Bremen, Germany 1971), I was astounded to find the limited-edition Russian clear double LP in a record shop ACROSS THE STREET FROM MY APARTMENT this afternoon.  Here’s the full show, and remember – this is Kraftwerk before synthesizers and sequencers became their trademarked sound.

That’s This Week’s Listening!  And as always, I welcome my readers’ own recommendations for similar recordings.

Thank you.

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